This is a fun finish to share as I’m really happy with all the things I accomplished with this quilt. I’ll be honest, it is probably not going to be one of my favorites astetcically, but in terms of taking on challenges and working outside my comfort zone it is one of the favorite quilts I have ever done.
I wrote about where this quilt came from and the process to create it in two prior posts (here and here). In short, I got the 4 fabrics for the river hexies from my Albuquerque Modern Quit Guild meeting in June, where we were challenged with the random fabric swap to create a Modern Quilt. I made the hexies after my Victoria Findlay Wolfe workshop later in June. The red background fabric is a Modern Grunge, and is also all hexies (so lots of y-seam piecing!) I am calling the quilt ‘Wolfe Creek’ because the ski area near Pagosa Springs, Colorado where we spend a lot of time, and whose rivers inspired the river in this quilt, is called Wolf Creek. I changed the Wolf to Wolfe in honor of Victoria Findlay Wolfe, whose class was also a huge inspiration for the project.
We got to go to Pagosa this past weekend, so I took the opportunity to do a quilty photo shoot!
Here she is:
I used my walking foot to do meandering lines through the river using Aurifil 4663 – a blue and white variegated thread. The background is free motion quilted using Aurifil 2605 – a nice gray. I quilted leaves in the bottom third of the quilt, smaller spirals in the middle, then larger spirals in the top third. The leaves represent the land and growth around the river, and the spirals the air and the wind through the mountains. I’m really happy with how the quilting turned out.
Some close-ups so you can see the quilting:
From the back:
I’m also pretty happy with the label on the back. I made a bunch of mini-hexies to mimic the river hexies on the front, and added reference to ABQMQG challenge and Victoria’s class.
I had a great time making this one and was so happy with how it came together. I’m looking forward to taking it to my next Guild Meeting where we all are going to reveal our challenge creations. Should be fun!
This quilt was on my Q3 FAL list, so I’ll be linking up there at the end of the quarter.
I really like to finish my own quilts, but I’m not so sure how much I like actually quilting. I hate to baste, and I really don’t like fighting to get my quilt positioned under my domestic machine. I usually come away a bit frustrated and with an aching back. I’ve sent a few quilts out to a professional to have them quilted, and while they did a terrific job it somehow made me a bit sad.
While a long arm machine seemed like a good solution for me, there are clearly a few problems. The cost, the space…and if I get one and I hate it, that would really be a shame. There are also a lot of options, and without using one I really wasn’t sure what features were important to me. Recently I discovered my local Bernina store offers long arm rental time. For a very reasonable fee you get instruction on how to use the machine and a large block of time to work (I think it was 6 hours the first day for the instruction and quilting time, and then another block of 4 hours of quilting time). From there you can purchase more blocks of time to do your own work. The instructor told me to show up at 9:30am with a few quilt tops and she’d take it from there.
I had a great, if not exhausting, day!
First of all the instructor, Jan, could not have been more awesome. She was helpful, knowledgable and very encouraging. She set me up on a Handi Quilter Avante (18″) on a 12ft rolling frame. This was useful because I wasn’t sure about a 16″ vs. 18″ vs. 24″ throat machine, or the clamp-only frame vs. the rolling frame, so I got some insight into those options. Jan sat down with me and studied my quilt tops to help me choose a quilting design. This was so great as she had lots of tools to help with the choice (books, marking tools, templates), plus a very good eye. Interestingly, Jan said that she spends most of the time in her classes working with people on how to quilt something rather than on doing the actual quilting. She also said many people in her long arm classes have done very little machine quilting, which I thought was really surprising.
This is the quilt I worked on the first day. I finished this top ages ago – like probably over 15 years ago – and for one reason or another just never finished it. It’s fine, I like it, but I didn’t really have any attachment to it after having misplaced it for so many years.
The store sells fabric, and she had only had me bring a top and no batting/backing, so we choose Warm and Natural cotton batting and a red batik back. I used white Isacord poly blend thread as that is what she had handy. She really recommended the Isacord in the long arms for good tension and low lint.
I’ll show you some close-ups…it did get a bit messy.
I did a four petaled flower in the stars:
Instead of treating the chains like chains, Jan pointed out that each of the white areas were kind of like circles, so I did a free-form criss-cross on those. Honestly that part was the easiest for me and turned out looking the best.
For the borders I did arcs in the white parts, running diagonal lines in the red border, and leaves in the blue, trying to pick up the leaves in the blue fabric. The quilting in the red and blue areas is hard to see since the fabric is so busy.
And now for some truth in quilting – the back. White thread on red fabric can’t lie!
I’m hoping these photos are coming across ok – the back is really red! Zooming helps if you are really interested in the details.
Let’s just say it is not the most perfect quilting job ever completed, but I was pretty happy with it as a first long arm effort. I learned a lot: you have to approach long arm quilting much different from domestic quilting, straight lines are hard, I probably tried to sew over previous lines to travel too much, and I am much more comfortable going in one direction rather than the other. I was also reminded of my quilting rule that if you get tired and frustrated, you really just need to stop because it is only going to make things harder. Jan was very generous with the time and I wound up in the shop quilting until 5:30pm. It probably took us from 9:30am when I arrived until about 1pm to do the instruction and get the quilt ready to go (and each lunch), so I quilted for almost 5 hours straight. It was too much, and my neck paid for it for the next week! However since I was in a shop and renting the time, I pretty much had to finish the quilt that day to avoid having to remove it from the frame.
As I got another block of time with my class fee, I signed up for another day about 2 weeks later to keep on practicing. This time I brought the quilt top I affectionately call ‘The Mess of a Quilt’ – love the fabrics, but the pattern I chose was way too busy for these bold prints. Again a top I like, but I wasn’t too attached to it so using it for practice was fine by me.
I got the quilt set up to go with a little bit of help from some friendly folks in the shop. This time Jan leant me a ruler to play with to help with the straight lines. It took me awhile to get the hang of that. Also, I quilted from about 1pm to 4:30pm and again was exhausted. I finished about 3/4 of the quilt before I had to take it off as the shop was closing. I’ll finish it on my domestic machine.
This time I wanted to outline all of the blocks (stitch in the ditch) because I didn’t do that on the first one and I didn’t like how that turned out. I outlined all the HSTs in the sashing, did switchbacks in the outer border, outlined the zig-zags in one half of the HSTs and did swirls in the other half. I really wanted to try swirls on the long arm as I do a lot of them in my domestic machine quilting, so I wanted to compare the process and the outcome.
Here it is on the frame, with my ruler handy.
A few more on the frame photos:
This block was early in my session – the lines are very bumpy on the yellow zig-zags.
This block was later – I had gotten a better handle on using the ruler.
Here is the back. I just used muslin to back this one, with Warm and Natural batting and a grey Aurifil thread.
This is the whole Mess of a Quilt – again only the top 3/4 of it has the quilting complete.
I found that this session was also a bit long – at 3.5 hours it wasn’t terrible and I didn’t hurt my neck this time, but I did get tired and a bit frustrated at about 2.5 hours and would have liked to have quit for longer break. I also got really stressed out about finishing it. I kept looking at the clock and pushing myself, then telling myself it didn’t really matter because I didn’t really care that much about this quilt. However it does raise concerns about continuing to rent. These are both baby-sized quilts and not very big. If I want to rent and get a quilt done in a reasonable amount of time that my body is happy with (like 3 hours), I’ll have to do pretty simple things.
So the verdict? I don’t know! I’m still a hung jury!
I think I’m clear that if I get a long arm I’d get the 18″ Avante and the rolling rack. I liked doing it and am feeling a pull to go practice more, but I am a bit frustrated by how bad I am at it. Angela Walters I am not! I’m afraid that the gap between what I can do on my domestic machine and what I can do on a long arm is so large that I’ll get frustrated and just go back to what is comfortable. However, in fairness, I’ve now used a long arm twice, and I did get better at it both times I tried it. I’m also still worried about HOW LARGE these things are – it will take over my sewing room! So I have more information now, but the deliberation continues…
I had the Red and Blue Star quilt on my Q3 FAL list, so now that the binding is done I can check one off! I’ll link up to the Q3 FAL group at the end of the quarter.
This turned out to be a cool block, and I wound up liking it much more as I put it together and finished it. It was paper pieced, and it was fun to do such a large paper pieced block as opposed to all the teeny-tiny Splendid Sampler blocks.
This was my fabric pull for the block. I was looking for some nice contrast between sections in the block.
As there were a lot of fabrics in this block I thought that making a plan before staring to cut and sew would be a good idea.
I didn’t color in all of the sections, but made enough notes in each section to make it clear to me which fabric went where.
I then started piecing, working on the A triangles first and the B triangles second. Some of the sections were very thin, but overall it was pretty straightforward to piece. Big pieces, and not too many of them.
After the paper piecing it was a lot of seam matching to get all of the sections together.
And then ta da! The finished block:
I think it’s really pretty cool! I had been struggling with how to use the grey triangle fabric, and I think it worked out really well here. I also like how the two different yellow and two different blue fabrics contrast and set each other off.
July is winding down and I’ll have another Sugar Block to do shortly. I’m sure it will be another great block to play with!